Chain Study
I chose to paint these from real photographs to explore how different media depict rust. In these works, I used a combination of gouache and acrylics to highlight the unique characteristics of each media. For instance, the gouache painting captures a subdued rust that seamlessly blends into the composition, whereas the acrylic painting emphasises a more vibrant and striking appearance of rust.
To further my study, I sketched chains and painted them with ink on two distinct types of paper to observe how shading and ink intensity impact whether the ink becomes more noticeable or blends in seamlessly on the different types of paper.
Additionally, I created a watercolour painting to refine my skills, focusing on layering with various shades of blue.
In my series focused on designing chains, I experimented with various H and B pencils to explore shading techniques. In the sketch on the left, I compared a HB pencil to a range of 9B to 9H pencils. This process allowed me to test the sharpness and density of each pencil, enabling me to produce a more precise and detailed sketch compared to the HB pencil, which lacked finer detail.
I was then able to iterate and create sharper and more distinctive drawing of a close-up view of a photo-realistic chain, as shown in the sketch on the right.
Ian Murphy Study
I conducted an artist study on Ian Murphy, a contemporary British Fine Artist known for expressive tonal drawings and mixed-media oil paintings depicting architectural settings. Known for his ability to capture depth and mood, Murphy's work inspired me to explore his techniques and distinctive style.
As part of this study, I recreated two of his pieces on thick cardstock. This allowed me to experiment with the dynamics of the material, observing how it interacts with different textures, while gaining a deeper appreciation for Murphy's approach to architectural themes and tonal contrasts.
Silverware Exploration
This piece is titled 'Exploration of the Theme of Silver', where I chose to represent the concept through silverware. I focused on the reflective and intricate qualities of material, aiming to capture its essence through the adaptability of light and shadow.
Using acrylic paint, I concentrated on creating detailed textures and contrasts. The choice of acrylics allowed for precision layering which conveys the materials complexity. I mixed white, silver and black to enhance depth and detail, balancing highlights and shadow to capture their three-dimensional quality.
Through this work, I sought to challenge myself to master texture and the adaptability of light and shadow, capturing the reflective qualities of metallic surfaces.
These three ink sketches explore the complex forms and textures of silverware. The work showcases my engagement with free-handed drawing techniques in ink and my interpretation of metallic surfaces through expressive lines and tonal contrasts.
The sketch on the right is a direct study of Henry Bosak's Spoon Art, where I replicated his work in ink to better understand his techniques and approach to capturing light and texture.
Through these studies, I aimed to develop my skills in ink drawing and to refine my ability to capture texture and the delicate nature of everyday objects.
This series of works demonstrates my progression in capturing details and experimenting with shading techniques to emphasize the traditional qualities of silverware. My process evolved through three distinct stages, each refining my approach to texture and light.
I began with a detailed pencil sketch focusing on the traditional patterns and forms that define silverware. I experimented using white pen on a dark background to focus on the heavily detailed designs. The contrast allowed me to emphasize the patterns and develop on these designs. I added subtle shading to bring dimensionality to the piece.
For the final piece, I create a larger more detailed drawing that focuses on shading to capture the depth and texture of silverware. This allowed me to explore how shading could enhance realism and draw attention to the elaborate features of the object.
Diamond Exploration
In this piece, I explored the use of straight lines to express the composite nature of a diamond. By focusing on creating gradients between the lines, I aimed to achieve a sense of depth and abstraction that captures the essence of light refracting through the gem.
Through this work, I sought to balance abstraction with realism, showcasing the unique interplay of colour, light and form inherent in the subject.
Photography
Digital Art
I delved into digital art, experimenting with both simple sketches and more polished designs. The process allowed me to build a foundation in digital techniques while expanding my vocabulary in graphic design.
